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In 1962, President Sukarno envisioned Hotel Indonesia as more than just a building; it was to be a powerful symbol of national progress and unity—a shining beacon of modern architecture and profound national aspiration. His clear intent was for the hotel's décor to be a vibrant showcase of Indonesia's national character and its rich tapestry of arts. As a keen collector and active patron, he meticulously shaped this artistic landscape, consistently challenging artists to innovate with new materials.
Sukarno strategically placed artworks with appropriate themes in public spaces. For instance, statues such as 'Girl Going for a Bath' (Sulistyo) and 'Two Girls Fetching Water' (Saptoto) graced the area near the swimming pool, while Trubus's revered statue of Dewi Sri, Indonesia's goddess of rice, was positioned in the hotel's front garden. These choices also mirrored Sukarno's well-known admiration for Indonesian female beauty, which he considered an important aspect of the nation's cultural and artistic heritage.
Over the years, contemporary art, characterised by its diversity in materials, methods, concepts, and subjects, has taken centre stage. Often challenging traditional boundaries and reflecting a globally influenced, culturally diverse, and technologically advancing world, Hotel Indonesia Kempinski Jakarta is proud to join this movement. Drawing inspiration from our enduring legacy through the perspective of art, we aim to transcend artistic boundaries by showcasing the viewpoints of two distinct generations. This initiative firmly establishes Hotel Indonesia Kempinski Jakarta as a pioneer and a premier destination for multi-generational guests seeking a rich cultural experience.
The 'TITILARAN' exhibition, thoughtfully curated by Rizki A. Zaelani, a highly respected and influential figure in Indonesia’s art scene, forms an integral part of this celebration. Known for his insightful curatorial vision, Rizki has masterfully translated our 'TITILARAN' theme into a compelling presentation of art installations. His work is widely recognised both locally and internationally, and his curatorial touch has illuminated numerous prominent exhibitions, serving as a beacon in the evolving landscape of contemporary art.